Little Bitchard Helsinki, Finland
I'm a demoscene artist. I started writing music back in 1992 on an Amiga computer.
My main demoscene
groups are mfx & Kewlers. I've also worked with numerous other groups over the years.
If you are new to my music, I recommend checking out the 'Decades' series for a curated "Best Of" -style mix.
For a near-complete list of demoscene works, groups and aliases, visit the Demozoo link below.
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I miss Mosaik :(
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The Sound of SceneSat Volume 3
by Various artists
supported by 7 fans who also own “Kitey3 (LB's Chordophonic Bit Remix)”
That newschool nostalgia~
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The Sound of SceneSat Volume 4
by Various artists
supported by 7 fans who also own “Kitey3 (LB's Chordophonic Bit Remix)”
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Producer gonima's mix of ambient textures and glitchy IDM percussion is warm, melodic, and inviting.
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Jasper Ewing brings all manner of electronic equipment to his bright, jittery songs, resulting in tiny, sparkling melodic wonders.
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Zimbabwean-German producer Taona links up with fellow boundary-pushing artists, including actor/musician Elsaphan Njora, on this new EP.
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supported by 6 fans who also own “Kitey3 (LB's Chordophonic Bit Remix)”
Certains artistes sont plus performants quand ils font cavaliers seuls et LukHash en fait partie. GHOSTS était sans conteste un bon album mais le format de la chanson l'obligeait à se brider. Dans BETTER THAN REALITY, excepte sur "WE ARE FOREVER", le chant s'en va (même les samples vocaux sont très rares), le croisement entre la chiptune et la synthwave reste et LukHash nous met dans l'ambiance avec des sons rétros qui semblent tirés de VHS. La production retrouve sa puissance. Irréprochable !
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